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She had been paralysed from the waist down for 25 years, but after listening to our performance, she was able to stand briefly." According to Kadinov, the woman then attended the choir's second performance at the Royal Albert Hall in a wheelchair. "She told me that she had listened to our first performance on the radio at home. "I'll never forget an English lady I met then," he says. The choir's longest-serving member, Victor Kadinov, proceeds to tell us about the choir's miraculous effect on its British audience in 1956. But, 60 years on, the members of the Red Army Choir still love to tell them. These stories, like the songs and the choir itself, were all part of the Soviet regime's propaganda machine. "They helped the people to live," says Malev. In another celebrated anecdote, they sang "Holy War" down phone lines to troops at the front.
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The choir had prepared a full programme but they just sang 'Holy War' over and over again."ĭuring the war, the choir travelled the entire front line, performing 1,500 concerts. The soldiers called for one encore after another. After the choir finished the song, there was silence and then thunderous applause.
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"It was at a train station, where soldiers were departing for the front line. Col Malev recounts its first public performance. Its founder Alexandrov wrote a song called "Holy War" in response to the German invasion, and it soon became a hit. The choir is especially proud of the role it played during the Second World War - or the Great Patriotic War, as it is known in Russia. When they perform, the choir wears full military uniform, however, when practising, they dress down in colourful knitwear. The heart swells, the foot taps, the mind contemplates the vastness of Russia. Watching the choir practice at their Moscow headquarters, all the clichés come true. The five-year-long civil war in Tajikistan ended in 1997, but the country still relies heavily on Russian military support. "We also still perform for soldiers in hot spots such as Tajikistan," says Col Malev. This year, it will tour the "hero cities", which were on the front line during the Second World War. In fact, an important part of the choir's work remains performing in the motherland. "We sing about the homeland, nature, the military and women," says Col Malev. While the choir flirts with foreign music, the core of their repertoire has changed very little over the years. Do they now promote peace rather than war? Col Malev's mumbled response is not translated for me. The soon-to-be-released CD recording of their performance at the Vatican is being produced in association with the NGO, World Without War.
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Leaving the animosity of the past behind, they now seem keen to promote harmony between nations. And when in Rome, they sang a Polish song for the pontiff.
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When in North Korea, they sang a song in Korean. They no longer sing about the triumph of Communism, but tailor their programme to suit their audience. Their concert for the Pope last October, to mark the 26th anniversary of his election, would have been unthinkable in the Soviet era, given the Communist dedication to razing churches.Īnd the change of times is reflected in the choir's music. Today, they are still welcome in North Korea, and are warmly received at the Vatican. These days, there is not the ideological embarrassment attached to inviting them to the West. In fact, the Iron Curtain didn't come down for the Red Army Choir so much as go up on their international touring career. As with the national anthem, the words changed slightly - Soviet anthems were jettisoned in favour of Western numbers such as "My Way" - but the music went on. They continued to practice every day at the choir's headquarters as they had done for years. "We are very stable." In fact, for those of the 125 singers and musicians who have been part of the choir since the old days, even the fall of the Iron Curtain had little impact. Once you are in, though, you are in for life. Entry is very competitive, with recruits drawn from the country's top conservatoires. He is Victor Kadinov, and he says with pride that he was in the choir when it performed in London in 1956.Ī similar notion governs the choir. A small elderly man appears from the bowels of the choir's Moscow headquarters. "Well, we have an employee who has been with us for more than 50 years." Col Malev duly summons the old retainer to show him off. "We hear that in Britain, you are amazed if someone has the same job for 30 years," says Colonel Leonid Malev, director of the Alexandrov Red Army Choir, with a smile.